Glossary of Writing Terms

alliteration– the repetition of initial consonant sounds; used to draw attention to words or ideas or to create music with the language

assonance – a repetition of vowel sounds without the repetition of consonant sounds (e.g., dance, clap)

audience– the intended readers of a text

author’s craft– choices an author/poet makes when writing a text (e.g., organizational pattern, style, vocabulary, images, symbols, point of view, audience)

claim– thesis or main point, especially in persuasive writing

climax (also turning point or crisis)– high point of interest or suspense in a story; point where the rising action reverses and becomes the falling action of the story

cluster– a prewriting technique; the writer maps thoughts about a topic showing how the ideas are connected. The map suggests an organizational pattern for main ideas and supporting details.

coherence– logically connected sense that holds parts of text together

colloquial– conversational, informal language

consonance– repetition of consonant sounds particularly at the ends of words (e.g., to kick the black rock)

content writing– using writing as a tool for learning or writing within the community or common language of a discipline. (e.g., writing as an historian or scientist might write)

conventions– rules of standard English usage, capitalization, punctuation, paragraphing, and spelling

derivative– a variation on a word (e.g., imitation is a derivative of imitate)

directionality– understanding that most text moves from front to back, left to right, and top to bottom

drafts– writes

edit– preparing writing for final draft by checking spelling, punctuation, capitalization, usage, paragraph indentation, neatness, and legibility

expository– writing that explains an idea and informs the reader

extended metaphor– a metaphor that continues throughout an entire text; often used to create unity or for rhetorical effect

eye rhyme– letter patterns that look similar but sound different (e.g., good, food)

figurative language– language not meant to be taken literally; also known as figures of speech (e.g., metaphor, personification, hyperbole, and simile)

feminine rhyme– rhyme that happens in two syllables of a word rather than in one (e.g., yellow, fellow)

flashbacks– interrupting the chronological sequence of a narrative to tell about a related event from an earlier time

focused observation– an informal assessment where a teacher watches or listens to determine a student’s level of understanding of a specific skill, process, or idea

foreshadowing– giving hints or clues of what might happen at a future time in the story

form– organization of specific types of writing within a general category of purpose/mode (e.g., if the form is editorial, then purpose/mode is persuasive or possibly expository; or if the form is a tall tale, then purpose/mode is narrative)

format– most often used to refer to layout or visual presentation of text

free writing– a prewriting technique; the writer drafts quickly, without stopping, without editing, or self-correcting to discover what he or she knows, thinks, or feels

imagery– figurative language used to produce mental pictures and appeal to senses

learning log– a journal or notebook in which a student records questions, problems, and thoughts about a particular subject, idea, or concept as it is studied or learned

literary writing– writing poetry, short stories, novels, plays, scripts; creating original writing rather than analyzing or synthesizing the writing of others

metaphor– a figure of speech indirectly comparing two essentially dissimilar things; used to create new connections for the reader (e.g., My love is a red, red rose.)

mode– type of writing determined by the writer's purpose (e.g., If the writer's purpose is to explain, then the mode is expository.); often used interchangeably with purpose

mood– atmosphere (e.g., suspenseful, peaceful, mysterious, terrifying) created by the writer's purposeful choice of vocabulary, pacing, and details

motif – a repeated idea in literature

narrative– presentation of a series of events in a purposeful sequence to tell a story, either fictional or factual

onomatopoeia–the use of words that imitate the sounds of movement, animals, or objects (e.g., buzz, hiss, clickety-clack)

organizer– frameworks, maps, outlines, grids, or diagrams used to put thoughts in order

paragraph– a unit of meaning signaled by indenting the first word or by inserting a line space between sections of writing

parallel structure– the repeating of phrases and sentences that are syntactically similar (e.g., phrases all starting with verbs, same tense)

paraphrase– restating the meaning in own words, retaining all of the ideas without making an interpretation or evaluation

parody– a piece of writing that mocks a particular literary work or its style; comic effect is intended

patterned poetry– poetry based on a prescribed syllable count, parts of speech, or shape (e.g., diamond poem)

patterned sentences– a construction used as a base to create new sentences; young writers substitute a word while keeping the rest of the sentence the same (e.g., I like pizza. I like snowflakes. I like whales.)

person– point of view; the perspective from which the writer writes (e.g., first person, third person)

persuasive– writing that convinces the designated audience to support a point of view, make a decision, or take an action

phoneme– the smallest unit of sound

portfolio– purposeful collection of student work that exhibits to the student (and/or others) the student's efforts, progress, or achievement in (a) given area(s)

prewriting– the thinking and planning the writer does before drafting, which includes considering the topic, audience, and purpose; gathering information; choosing a form; determining the role of the writer; and making a plan

published work– a final draft shared with an audience, large or small; displayed publicly; sent to a newspaper, contest, or magazine; or posted on a web site

resolution– the ending of a story where conflicts are resolved and loose ends are tied together

revise/revision– the process of reworking or re-seeing writing, which includes: considering changes in audience, purpose, focus, organization, style; elaborating, emphasizing, clarifying, or simplifying text (adding, deleting, reordering, or substituting)

rhetorical question– a question where an answer is not expected; often used to involve the audience and create interest

simile– a figure of speech directly comparing two essentially dissimilar things; the comparison is signaled with like or as; used to make writing more vivid, fresh, or interesting (e.g., as fresh as bread from the oven)

slant rhyme– rhyme in which the final sounds of the words are similar but not identical (e.g., cook and lack); also called off rhyme or approximate rhyme

spatial organization– choosing an order for descriptive writing based on space (e.g., front to back, left to right)

story frame– a graphic organizer used to plan the development of a story or visual/multi-media presentation

summarize– condense the main points using as few words as possible and written in own words

syntax– the way words, phrases, and clauses are combined to form sentence order (e.g., in English, subject – verb – object is a common pattern.)

synthesize– the pulling together of ideas or information to develop a common framework for understanding or to create a new idea; writers synthesize when they create, imagine, or combine ideas

technical writing– type of expository writing (or sometimes persuasive writing) most often used to convey information (or to convince others) for technical or business purposes

tension– suspense arising from opposing forces or motivations

tertiary sources– third level sources (e.g., research summaries)

transitions– words or phrases that help make smooth connections between parts of a text

voice– the sense of the person behind the writing (e.g., serious, honest, compassionate, or angry); writing that captures the correct level of distance, formality, or personality for the purpose of the writing and the audience

word web–a graphic organizer, created by the writer during prewriting, to gather and connect facts, ideas, concepts, and/or words